Livenotes & Nolwenn's "Did You Know?"

You'll be able to see the splash screen and main menu for Blanche Biche soon. :) In the meantime, I'll tell you a quick story.

You see, the opening theme is pretty slow, and since I've spent quite a lot of time working on it I was basically wondering how I could get the user to spend as much time as possible on the splash screen (without getting bored of course). At some point I threw on the table the idea of a "did you know?" that would show up at runtime, with fun and interesting facts about France and French (while we were at it). Then, Blueroze suggested it could be some sort of a blog of Nolwenn's (one of our female main characters), and soon it gave birth to an entire concept for a fictitious social media.

Introducing Livenotes!

As you can see, we like to go all-out with even the most trivial ideas—which is probably why the development of this game takes forever. :p

Now Nolwenn's "Did You Know?" is open for questions! If there's anything you'd like to know about France, or French, or Brittany, or pretty much anything really, ask away, and Nolwenn might just give you the answer! :)

More about Topics

Hello dear followers, and today we're going to take a closer look at Blanche Biche's founding concept, the conversation topics!

I was always bothered by the fact that, in a traditional visual novel, you are only prompted with a few more-or-less obvious choices at key moments. Granted, we're in a video game and it's scripted at some point, so you can't just do whatever you want and expect it to react dynamically to your behavior—however, the tracks don't need to be so reidiculously apparent either. So, I thought, what if, instead of choosing between two or three circumstantial responses, you had a permanent list of a dozen of options? Some of them may do nothing at times, but you couldn't know a priori, at best you could speculate using your brain.

That's the main idea behind the conversation topics—to get the player to think and make decisions based on the relevance of each topic in each situation. Forget about binary choices and just imagine that, whenever asked for a reaction, you can come up with any of the many conversation topics you have unlocked so far. If you're trying to keep a secret and a girl is being nosy, you may want to deviate the conversation to topics which have nothing to do with it. Conversely, if you think the girl is hiding something from you, you can beat around the bush, trying to get her to spit it out. The thing is, whatever you're hoping to achieve, you have a big number of options to do so, and it's up to you which is the best pick at that moment.

So you might say, okay, it's all very nice, but in the end, it's just a fancy way of choosing between a set number of routes.

But it gets better.

In my post about the Tone Wheel, I told you how the point was to give the player some intiative potential, that is, to allow them to start things, instead of always waiting to be prompted by NPCs. Well then, I thought, there are two people in a conversation (that is, at least two), and if one is always responding to what the other produces, this makes for a poor experience. So, the conversation is just getting started, you get to choose a conversation topic. The girl reacts to what you had to say about it. And then, the girl chooses another topic of her own to continue the conversation. You react to what she said, then it's your turn to choose a topic again.

But it would be pointless if the girl chose her topics at random. So what happens is that each girl is able to assess the relevance of each conversation topic depending on a number of parameters. And the main parameter is, what did we just talk about? Whatever happens, the girls will always do their best to choose a topic that makes for a smooth transition with the previous one. Think of the conversation as some sort of map, and each topic is plotted on that map like a city. The closer two topics are on the map, the more related they are. What you get is a nice maze to be navigated. When you move to a different topic, you get the conversation closer to a number of other topics—and away from yet another number of them.

This is an example of how a few conversation topics could be organized to illustrate the concept. Say you're chatting with the Artsy Girl and you choose to talk about Video Games. If she wants to talk about the Museum, for instance, she'll politely bring up Movies first, to try and get closer to it, without breaking the flow of the conversation. From there, you can follow her lead and go to Painting or Photography, but you could ignore her and start talking about sports. The thing is that, if you keep pushing the conversation away from the topics a girl wishes to discuss, that will piss her off—no matter whether you retain a Friendly tone at all times!

But it's not as simple as spamming topics that are close to a girl's interests either. Say the Artsy Girl had a fight with the Sporty Girl, and thus wishes to talk about her to ease her mind. So you'll try the Museum, she'll respond with Painting. You'll try Dancing, she'll respond with Martial Arts. If you are oblivious to the cue and try to bring the conversation back to the girl and her interests, the conversation will never turn out the way she intended. In other words, there is not all-purpose strategy to it—you'll have to watch for the girl's choices of topics, and cross-check them with recent events to understand where she's trying to go with that. Also, a girl might try to avoid a particular topic, rather than reach it, in which case she'll do her best to steer the conversation away from it, while still picking good transitions. Or you might be in a situation where you have a conversation with two girls at the same time—say, one who wishes to talk about a particular topic, and one who wishes to avoid that same topic at all costs, to make it fun. As you can see, many different situations can arise, and the idea has a lot of potential.

The difficult part, of course, is that you're not getting a map such as that one in-game. It's all up to you to evaluate how related two topics may be, and what other topics may lie in the direction the girl is trying to take you. So, as you can see, it turns into a nice little mind game between the player and the computer, where you can count on nothing but your wits and keen sense of observation. :) Oh, and did I forget to mention that, just like each girl has her own idea for moods, she also has a personal appreciation of the distances between topics, making a single topic very easy to bring up with one girl, and very difficult with another? Well, there you have it. :)

Anyway, that's about it about conversation topics. Hope I managed to pique your interest, and until next time. :)

More about the Tone Wheel

So, we've been telling you there would be a way to adjust the way you interact with girls in Blanche Biche. Today I'm going to explain a bit more about that aspect of the game.

First, the idea behind is to provide the player with ways to take the initiative. In a classic dating sim, when you're presented with a choice, you always end up reacting to what's happening in the game. There's no way to do something like stop the game at any point and boom! do something—no matter how insignificant—that will have any effects whatsoever. In Blanche Biche, topics are a way to achieve that (like, you get to choose whether to stay in line with what your partner was saying, or you can break from it completely)—tones are the other.

In concrete terms, you will have a Tone Wheel at your disposal, which lets you adjust your tone at any point in the conversation—even mid-topic, although we're still discussing the relevance of allowing that. That means, if the girl is teasing you, you can go for a teasing tone as well, then if she has a bad reaction, switch to a friendly tone, then realizing the conversation isn't serious enough to your taste, and so on. The tone you choose to assume affects both the girl's immediate response, and her feelings toward you in the long run. That means, if you're constantly teasing a girl, she might not get angry at first, but at some point it will upset her. Conversely, if you're generally being friendly and choose to be teasing for once, she might be offended at that moment, but stay in good terms with you nevertheless.

The Tone Wheel works as a two-dimensional representation of mood, as shown below:

• From left to right: how unpleasant vs. pleasant the mood is.
• From bottom to top: how casual vs. serious the mood is.
• Hence, the Friendly and Hostile tones are extremes on the plesantness axis, but neutral on the seriousness axis.
• Just the same, the Casual and Serious tones are extremes on the seriousness axis, but neutral on the pleasantness axis.
• All others tones are a combination of the two scales: the Intimate tone is somewhat pleasant and somewhat serious, the Teasing tone is somewhat unpleasant and somewhat casual, and so on.

At first, each girl will be Neutral toward you. Then as you start playing around with tones, you're going to affect how she sees you, dragging her mood around the two-dimensional space pictured above. Your ultimate goal is to push toward the Intimate quadrant, which is what you want to be for romantic involvement. So being Friendly won't be enough, you'll have to get your relationship more Serious (and conversely).

Sounds easy enough? Did I forget to mention that each girl has a distorted, subjective vision of that mood space? Simply put, a girl might think of the Provoking/Outgoing axis as her own pleasantness scale—which in turn makes the Teasing/Intimate axis as her seriousness axis. So if you're trying to be Intimate, in her eyes you will actually be Serious, which isn't bad, but not exactly what you wanted. And then, you might end up lacking pleasantness in your relationship to become romantically involved with each other.

SO, it won't be just as easy as spamming the Intimate tone to get in a girl's good graces. For some of them, you may even have to resort to unpleasant tones to earn their respect! What you WILL have to do is to watch closely for each girl's reactions, then try and guess what tones work for her. A whole world of experimentation lies ahead! :)

That's it for the most important aspects of Blanche Biche's mood management. There are still a few hidden mechanics to it I'm keeping secret for now, but this should give you a good enough preview of how things are going to work. :) Don't hesitate to share your thoughts or ask questions in the comments!